How to Write Holiday Scenes Without Clichés

Before we explore how to avoid clichés, let’s clarify what they are. A cliché is an idea, phrase, character, or plot point that’s been used so many times it no longer feels fresh. Instead, it comes across as predictable, shallow, or unoriginal. I’ve heard it compared to reheating leftovers. There’s nothing wrong with it, but it’s no longer fresh or surprising. If we aren’t careful, these stale tropes can sneak into our storytelling. This post offers ideas for how to recognize clichés and how to write holiday moments that feel fresh.

Focus on Specificity, Not Stereotypes

Holiday writing falls into clichés when it depends on vague, overused phrases like “holiday cheer” or “festive spirit.” The issue is that these phrases tell and don’t show. They could belong to anyone’s story, which makes them forgettable. Instead of leaning on stereotypes, use specific details. Specifics root your scene in your characters’ lives. They make the moment vivid and personal.

  • Pine scent filled the tiny room as they worked together to turn the bare side of the sparse tree toward the wall.
  • She worried the string of mismatched lights held together with tape could be a fire hazard.
  • A cracked childhood ornament hung on the tree, a special treasure.
  • Crumbs sprinkled the plate where they had left Santa’s cookies.

These details don’t just tell readers things are festive, and they do more than embellish the setting. They carry history, emotion, and personality.

Once you’ve written your draft, look for clichés. When you spot one, try to swap it out for a sensory memory or detail only your character could notice.

Example swap:

  • Cliché: “The house was filled with holiday cheer.”
  • Specific: “The kitchen smelled like burnt sugar cookies, and the crooked angel on the tree leaned the same way it had every year since Dad glued it there.”

Embrace Contrast, Not Perfection

The holidays are rarely flawless. Real celebrations are full of contrasts: joy mixed with holiday stress, tradition clashing with change, laughter right next to tension. If everything runs smoothly, there’s no story.

  • A character burns the turkey but discovers a new favorite dish from the takeout that saves the meal.
  • A young couple with two children of their own let their parents know they will be staying home with their family for Christmas to start their own tradition.
  • The perfect holiday photo hides the fact that no one was speaking five minutes earlier.

Conflict breathes life into festivity. It’s the real-life cracks that let the light shine through.

Example swap:

  • Cliché: “The family gathered around the table, everything was perfect.”
  • Specific: “The turkey was still frozen in the middle, the rolls were burned, and everyone laughed harder than they had in years as they ate pizza from the box.”

Use Holidays as Backdrop, Not Plot

Not every holiday story needs to be about the holiday. Sometimes, the season serves best as a backdrop, a means to shape mood, heighten tension, or reveal characters’ motives, dreams, etc.

  • In romance, the looming midnight kiss on New Year’s Eve creates tension.
  • In a mystery, the distraction of a holiday party allows a crime to unfold unnoticed.
  • In fantasy, a solstice festival can reveal cultural values or deepen worldbuilding.

The holiday should enhance the narrative, not replace it. Think of it like lighting: it sets the mood, but the action still belongs to your characters.

Example swap:

  • Cliché: “The story is about saving Christmas.”
  • Specific: “The story is about two detectives hunting a jewel thief, while the city’s holiday lights and parades both help and hinder their chase.”

Subvert Expectations

Holiday stories are full of familiar beats, which means readers often think they know what will happen next. One of the easiest ways to make your story stand out is to turn those expectations on their head.

  • A gift exchange where someone opens the “wrong” box, revealing an unexpected but perfect present.
  • A Christmas dinner where no one shows up, and the protagonist finally enjoys quiet.
  • A family reunion where the so-called “grumpy uncle” no one wants to sit next to ends up being the peacemaker.

Twist clichés instead of leaning on them. Surprising outcomes make readers laugh, gasp, or pause, and that’s the joy of storytelling.

Example swap:

  • Cliché: “Everyone came together happily for the perfect Christmas dinner.”
  • Specific: “Half the family skipped dinner, the turkey was burnt, and yet, sitting alone by the fire, she felt a calm she’d never known amid the chaos.”

Mine the Emotional Core

At its heart, the holidays are about connection, or sometimes the absence of it. What matters most is not the trimmings or traditions, but what the season means to your character.

  • For someone grieving, the empty chair at the table is louder than the carols.
  • For someone newly in love, even a cracked mug of hot cocoa feels magical.
  • For someone isolated, the holiday may be a reminder of what they don’t have.

Focus on the emotion. Specific emotional details make readers feel the scene, instead of just seeing a picture-perfect holiday.

Example swap:

  • Cliché: “Everyone was happy and smiling at the Christmas party.”
  • Specific: “She hugged the ornament from last year, and for a moment, the sting of loss eased, replaced by a fragile warmth she hadn’t expected to feel.”

The Real Magic of the Holidays

Think about your own holiday memories. What are the things that people still share and laugh about? It’s not about how perfect everything was, but more often how it wasn’t perfect… But the laughter and smiles those memories bring are part of the magic. Holiday scenes shine when they’re rooted in authentic character experience. Skip the “stock holiday imagery” and lean into messy, personal, specific moments. That’s how you’ll capture the real magic of the season without a single cliché snowflake.

7 Holiday Romance Tropes Readers Love (and How to Make Them Feel Fresh)

From snowed-in cabins to second chances under the mistletoe, these 7 treasured holiday romance tropes never go out of style. We don’t tire of them because there’s something magical about love stories set against a holiday backdrop. Romance readers don’t just want the happy ending. They crave the comfort of familiar tropes that promise warmth, connection, and hope.

Trope vs. Cliche

Before we get into how to make these romance tropes fresh, let me be clear, tropes themselves aren’t clichés . They are a tool. Writers tap into these treasured storytelling patterns that readers recognize and love. Their familiarity keeps readers engaged. In romance writing, a trope becomes cliché when the story relies on the situation instead of the characters, or when it stops echoing the real world. The difference isn’t in the setup, but in the creativity and voice behind it.

A trope can turn cliché when:

  • It’s used without emotional depth or personal meaning for the characters.
  • Readers can predict every story beat after the setup.
  • It leans on outdated stereotypes or overly familiar settings.

In a book I wrote for writers years ago, I introduced an exercise I called “On the Flip Side.” It forces a writer from the path of logic most taken, and coaxes them to wander in another direction long enough to explore new concepts. How? By taking an existing scene and flipping a detail or two.

Keeping a Trope Fresh

The Flip Side approach can help keep a trope unpredictable. Anchor it in character emotion as you experiment. Flip expected roles, blend two familiar ideas, or add modern, diverse perspectives. That’s how a timeless trope stays warm and new instead of slipping into overused territory.

Here’s an example of a Holiday Reunion Trope

Snow dusted the street outside, but inside the café, it was warm and fragrant with cinnamon. Lily looked up from her latte, warming her chilled fingers, and there he was, Jack, holding a single poinsettia.

“For you.” He smiled that lopsided smile she remembered so well.

Her heart skipped. “For me?”

He nodded. “Merry Christmas.”

Under the twinkling lights, their hands met, and the world outside melted away.

Now let’s take a look at what happens when we flip a few of those details:

Snow fell in thick, lazy flakes outside. Inside, the café smelled like burnt sugar and peppermint. Lily sipped her latte when the door slammed open. Jack stomped in, cheeks red, not from the cold, but from running late.

“You’re late,” she said, with mock sternness.

“Merry Christmas,” he said, holding up a crooked, slightly wilted poinsettia.

She laughed, rolling her eyes. “You know I love this chaos.”

And somehow, under the twinkling lights, it felt exactly like Christmas magic.

And one last example that takes the scene in a different direction:

Snow swirled outside the café windows, gray and relentless. Lily stirred her cocoa, watching couples pass by, hand in hand. Then the door opened, and Jack stepped in, looking older somehow, holding a faded poinsettia.

“For old times’ sake,” he said softly.

She swallowed. “It’s been a long year.”

Their hands brushed briefly, a spark of warmth amid the cold, and outside, the snow continued, indifferent yet beautiful.

Changing a detail or two like the flower, their expressions, dialogue, or the café vibe, shifts the entire emotional experience. The trope still carries a promise that keeps readers engaged, with a less predictable plot.

Voice vs. Tone – What’s the Difference (and Why It Matters for Writers)

Years ago, when I was pitching my first two books, one publisher responded with interest. Through the give and take of our correspondence, they asked about my writing voice. I paused, staring at the page. I’d heard the phrase before, but I wasn’t entirely sure what they meant. Voice? As in style? Tone? Attitude? Was I supposed to sound like someone specific?

So, I did what most writers do when faced with ambiguity: I researched.

I learned I wasn’t alone. Voice and tone are often mixed up, even by seasoned writers. They’re closely related but not the same thing, and grasping the difference can transform your writing as well as how readers connect with your work.

In this post, I’ll break down the main differences and provide tangible examples to help you sharpen your voice and tone, and thus generate writing that resonates.

What Is Voice in Writing?

First, let me say what your voice is not. It’s not trying to compare yourself to some other author’s writing style. Your writing voice is like your fingerprint: distinctive, personal, and uniquely yours. It’s a blend of style, rhythm, perspective, and personality that comes through in everything you write. It shows up in sentence structure, word choice, pacing, and even the worldview behind your writing. Your voice makes it unmistakably you.

A Few Examples of Writing Voice:

  • Anne McCaffrey: emotionally rich and accessible, blending clear, direct prose with imaginative worldbuilding and a deep empathy for characters navigating personal growth within fantastical settings.
  • Lori Soard: gentle, heartfelt, and intimate, often weaving faith, family, and romance into stories that offer emotional warmth, subtle humor, and a strong sense of home and personal redemption.
  • Lois Lowry: spare, contemplative, and quietly powerful, using simple, precise language to explore complex themes like memory, identity, and morality through the eyes of young protagonists discovering the deeper truths of their world.

With experience, your voice evolves, becoming more recognizable and consistent.

What Is Tone in Writing?

While voice is distinctive, personal, and uniquely yours, tone is the mood or attitude you bring to a specific piece. It reflects how you feel about your subject, your audience, or both. It’s what makes writing sound playful or serious, sarcastic or sincere, hopeful or tense. Unlike voice, which tends to stay consistent, tone is flexible and depends on your topic, purpose, and audience.

A Few Examples of Tone:

Playful: “Let’s be honest, writing a novel is 10% inspiration and 90% caffeine and crying.”

Serious: “Writing a novel requires discipline, structure, and an unwavering commitment to craft.”

Sarcastic: “Sure, every writer’s first draft is flawless. Said no editor ever.”

Sincere: “It takes courage to write your truth, even when it feels vulnerable.”

The same writer, with the same voice, can move between tones depending on context. For example, I might write in a warm, encouraging tone in a blog post, shift to intense and suspenseful in a dramatic chapter of one of my books, or adopt a lighthearted, witty tone on social media. It all depends on the goal.

Why Writrs Need to Master Both

Picture a speaker delivering a speech in monotone: flat, unchanging, and dull. No matter how important the message, it’s hard to stay engaged. That’s the risk writers face if they ignore voice or tone.

·       Your voice makes you recognizable. It’s the consistent personality behind your words; how readers connect with you.

·       Your tone helps readers feel what you want: humor, empathy, suspense, or inspiration. It’s the emotional overlay of your voice, guiding readers’ moods and reactions.

Mastering both means writing is authentic, dynamic, and engaging. When voice and tone work together seamlessly, your work forms stronger connections with readers and becomes memorable.

How to Find Your Voice and Control Your Tone

If you’re wondering how to answer the “What’s your writing voice?” question, these steps will help you:

  • Read your writing aloud. Hearing your words helps you spot your natural rhythm, favorite phrases, and personality shining through.
  • Strip away trends and mimicry. Your voice isn’t about copying what’s popular. It’s your unique way of expressing ideas. Focus on what feels authentic.
  • Write as you speak, then refine. Start conversational, like talking to a friend. Then polish while keeping that natural tone. Your real voice feels like you.
  • Notice how others describe your writing. Feedback from editors, readers, or reviews often reveals your voice better than you realize. Are you “warm,” “direct,” or “thoughtful”? These clues help you understand your style.

Following these steps, I can now say my writing voice is warm, earnest, morally grounded, with clear prose, hopeful themes, and character-driven adventure. Notice I don’t mention genre because voice goes deeper than categories.

Controlling your tone means adjusting the emotional attitude of each piece to fit your purpose and audience, while your voice remains your steady foundation.

Practice these steps, and you’ll be able to confidently describe your voice and use it to connect deeply with readers.

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